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It does an even better job of holding up a mirror to life in the digital age, right this minute. When we think hard about the narrative perspective in Stranger Than Fiction, it belongs primarily to Karen Eiffel (Emma Thompson), the novelist, and not Harold Crick (Will Ferrell). Additionally, Catherine had dark and volatile emotions and suffered from depression herself. Samantha’s organic ability to adapt to Theodore and eventually intellectually surpass his own character makes her seem more human. Starring Joaquin Phoenix (Theodore Twombly), Scarlett Johansson (Samantha), and Amy Adams (Amy), Spike Jonze explores the possibilities (and functionalities/benefits/limitations) of a romantic relationship evolving between a man and an operating system on his computer/cellular device: better known as Samantha. In an interview with the Los Angeles Times, Her’s production designer, K.K. We instagram photos to show the world what WE are doing. It is how she is able to develop into such a perfect companion for him. We see this theme particularly in the beginning of the film as Theodore plays video games, has phone sex, and refuses to hang out with his friends. Because Theodore has chosen to isolate himself from the world and from the issues he will eventually have to face, he is choosing to avoid responsibility. If you think this is farfetched, then ask yourself – why did Jonze cut to a black screen during Theodore’s and Samantha’s first cellular sexual experience together? Spike Jonze’s Her is an immensely raw film. There is a return to the 1940s fashion scene with high-cut tweed pants, solid bright colours and thick but groomed moustaches – slightly hipster? In Spike Jonze's beautiful, sometimes witty, interestingly numb new film, Her, Joaquin Phoenix plays a sad sack with a trim moustache called Theodore Twombly who one day falls in … The other important representation of the limits and boundlessness of technology is Samantha, the operating system with which Theodore falls in love. The main character, Theodore, is in the midst of finalizing his divorce. One of the main themes of Her is loneliness and isolation. Was he being tasteful or is it because we are limited to Samantha’s perspective? Does it describe, We feel something through her voice – through our hearing capabilities. Ultimately, even though Samantha leaves, Theodore is able to take the feelings of connection that their relationship modeled, and use it to grow and evolve into a more emotionally open person. Her study guide contains a biography of director Spike Jonze, essays, quiz questions, major themes, characters, and a full summary and analysis. The Question and Answer section for Her is a great However, having moved through some of his intimacy issues with Samantha's help, Theodore is able to be resilient, to see the world differently, and to try and move on using his own volition. He is often alienated and cut off from the rest of the world, until he begins an acquaintance with his operating system. Slowly, with the help of his operating system, he begins to loosen up, have less fear, and open up about his feelings more readily. The film is simple. It is the one thing we as humans and Samantha as a program can experience collectively - and even possibly experience in the same way. Theodore takes this to heart, and decides to pursue what makes him happy. These APPS are designed for people to reach out to the world – to find some sort of “universal connectiveness” to other people. “Theodore represents a futuristic Everyman, the result of human experience enshrouded and infused by technology. “I thought this song could be a photograph that captures us in this moment of our lives” – Samantha (Johansson), “I can see you in it” – Theodore (Phoenix), http://www.youtube.com/watch?v=da-ELYFRFpc. It has to be her because in reality Samantha only exists in Theodore's mind/life. Spike Jonze’s critically acclaimed 1999 film ‘Being John Malkovich’ explores postmodern ideas such …show more content… Jonze uses satire to emphasise this by allowing the main characters to behave without conscience. Is it like Sherlock Holmes' "The Woman," a phrase used to describe Irene Adler? How does this translate into our physical human world and our capabilities? At the start of the film, Theodore is very depressed and isolated from the rest of the world. Though not exceptionally innovative, the film is exceptionally well-shot. Spike Jonze’s Her Is a Piercing Commentary on Our Immediate, Online, Artificial Lives (Non-Spoiler Film Review) December 31, 2013 Her is now playing in New York City, Los Angeles, Toronto, Boston, Chicago, San Francisco, Seattle, and Washington D.C. Starts everywhere January 10th. The World Through Your Eyes: On Spike Jonze’s Her Senior Project submitted to The Division of Social Studies Of Bard College By Thatcher Snyder Annandale-on-Hudson, New York Acknowledgments Two years ago, when I began A major theme in the film is technology and how its advancement affects human beings' lives. Her by Spike Jonze details the life of Theodore played by Joaquin Pheonix. City dwellers connect to his character because he walks everywhere, takes public transit (city life), and his wardrobe circulates throughout the film. how Samantha connects with Theodore and why their romance is ultimately unsuccessful? This is old news, but the way in which Jonze achieves this effect is new. Even though he is physically alone, Theodore is less depressed and lonely, and the film asks the viewer to contemplate whether a connection with a computer is actually a connection at all. The main character, Theodore, is in the midst of finalizing his divorce. This is the brilliance of, Charlotte Ficek - A Diner Series at Boxcar Social →. With the intellectual capabilities of OS 1, we only need to be connected to our software and we are satisfied. We see him daydream throughout the film about the good memories he has of time with his soon to be ex-wife. If human emotion is predictable, Jonze hyper-emphasizes this depressing thought by constantly calling attention to Theodore’s physical body and Samantha’s spiritual presence. For other people with similar names, see Spike Jones (disambiguation). Because the film is set in the near future, many elements of technology have advanced in both unexpected and humorous ways. Her was chosen the best film of 2013 at the National Board of Review; it earned a total of five Academic Awards. Described by one critic as “drowning in words” (Spaeth 2014), Spike Jonze’s Her (2013) seems to offer the filmic equivalent of the dialogue novel (Thomas 2012) where we are almost completely reliant on what the characters say in terms of plot We know where he is and what he is doing and when he is doing things throughout the entire film. Movie Analysis: “Her”. As it greatly deals with the relationship between humans and technological advances, the movie provides clear examples of the concepts in N. Katherine Hayles’ How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and informatics. Are computers capable of human behavior and human thought? I'm sorry, we do not have the capability of creating playing cards in the site. Critic's Notebook: Spike Jonze boldly bucks the retro trend in creating a vivid future L.A. in 'Her,' a thoughtful meditation on tech and culture. This theme manifests in the camera work, as Jonze chooses to shoot Theodore in shallow focus, with the world around him out of focus, when he is feeling isolated and lonely. Samantha is startlingly human and life-like, her voice filled with warmth and an intuitive charm; but she is, ultimately, a computer, a set of data meant to perform a task. What is she seeing and feeling? By continuing to focus on these memories and refusing to move forward, he isolates himself from other people, other couples, and the world around him. Spike Jonze's new movie isn't just a vision of a possible future. Seeing Him through Her perspective. One of the main themes of Her is loneliness and isolation. It is only when the relationship with Samantha blossoms that Theodore is able to face signing his divorce papers because he has been able to find happiness in his life. By opening up to his nonjudgmental computer, he is able to look out at the world and realize the ways he is meant to be a part of it. We see Theodore at the beginning of the film trying to come to grips with the fact that his marriage is over. Starring Joaquin Phoenix (Theodore Twombly), Scarlett Johansson (Samantha), and Amy Adams (Amy), Spike Jonze explores the possibilities (and functionalities/benefits/limitations) of a romantic relationship evolving between a man and an operating system on his computer/cellular device: better known as Samantha. The main film that comes to my mind where I find this is also achieved is, Where we warm up to Samantha as a character - as if she had a physical being and essence - the name remains highly cold and uninviting. Adam Spiegel (born October 22, 1969), known professionally as Spike Jonze (pronounced as the common Welsh name "Jones"), is an American filmmaker, photographer, musician, and actor, whose work includes film, television, music videos, and commercials. Her, c'est Samantha, Her, c'est votre ordinateur dont vous pouvez tomber amoureux dans ce conte de Spike Jonze... A la manière d’un Wes Anderson, Spike Jonze est un réalisateur qui aime nous raconter des histoires., Spike Jonze est un réalisateur qui aime nous raconter des histoires. resource to ask questions, find answers, and discuss the novel. Movie Analysis : Spike JohnzeDirected By Spike Jonze 1004 Words5 Pages By contrasting Theodore Twombly with his surrounding scene, Spike Jonze illustrates how relationship can possibly evolve in the future and affects human interaction with each other. In this way, he did not take responsibility for his feelings and for his part in his relationship, which caused it to suffer. Connection with others is modeled by Theodore's connection with Samantha, and as they spend more and more time together, Theodore feels encouraged to connect with others in his life. As she evolves and grows, however, she becomes less insecure about this part of herself, and more invested in the world of the immaterial and the metaphysical. That question, perhaps the defining one of our existence, fuels Spike Jonze’s new movie Her. Not affiliated with Harvard College. In contrast to the theme of loneliness and isolation, we watch as Theodore finds connection with the world around him, encouraged by his connection to Samantha. The aesthetic is minimalist, trend setting, and believably futuristic – only in that little has changed in Spike Jonze’s world compared to the world as we know it presently. It is trend setting in that the world is clean, modern, and very uncharacteristic for a film set in L.A. – which is explained by the fact that the film was partially shot in Shanghai. In this sense, we can understand Jonze’s film through the eyes of Samantha. Then, when his relationship with Samantha ends, Theodore is once again in a period of sadness and disenchantment. Therefore, Theodore becomes a montage of videos/images that Samantha sees/experiences the world through. Her movie reviews & Metacritic score: Set in the Los Angeles of the slight future, Her follows Theodore Twombly, a complex, soulful man who … Her is … Her is also describing a person without a physical presence. She tells him, "We are only here briefly, and in this moment I want to allow myself joy." The only technology that we see is the computer, the future of video games (projectors and motion sensors), and his cell phone – which resembles a classy leather-bound-silver-lined cigarette case. Though unable to touch in a conventional sense, we are touched by Samantha’s character even if we can’t see her. Thus, a major theme in the film is that of the metaphysical realm: the immaterial, unseeable, and unknowable. Relationships and Technology in the Modern World An Analysis of a Spike Jonze Film: Her By: Xiara Rodriguez Sept. 13, 2016 Her, a Spike Jonze film, explores real life issues between a man and an operating system. This is why the "song pictures" are so important in creating Samantha's identity and character in the film. Spike Jonze is good at cutting from Joaquin’s soliloquies and Samantha conversations to other people who are obsessively connected to their earpiece. Her essays are academic essays for citation. How do we experience Samantha’s climax, then? These papers were written primarily by students and provide critical analysis of Her. The last step is to sign the papers, but he has yet to do so and he has chosen to isolate himself from Barrett, spoke of the (loose) rules he, Jonze, and costume designer Casey Storm agreed upon before production: “When Spike and I worked on Where The Wild Things Are we banned green, then we slipped some in. Theodore becomes a limited equation – a book to be read and understood through Samantha’s eyes. Where we warm up to Samantha as a character - as if she had a physical being and essence - the name remains highly cold and uninviting. We see Theodore through the lens of Jonze’s camera – calling attention to the fact that media is THE way we experience and see the world and how others see the world through our eyes. Is he not even more removed from reality when he must consult his device for restaurant choices, dating advice, and career choices? There is a man who has a job writing letters for people at an office and returns to his condo at night where he hangs out with his friend Amy or plays video games. Her by Spike Jonze WGA Registration #: 1500375 INT. “Her,” directed by Spike Jonze, centers on a lonely soul who is drawn out by the female voice of his computer operating system. While the film remains somewhat ambiguous and inconclusive, it brings up many questions about the nature of technology and its influence on human life. In this way, we see that Theodore avoids those around him and lives through escapist fantasies due to his depression. She longs to be more like a human being, and worries that the fact that she isn't physically manifest in the world (beyond the computers that control her) makes her less-than. Samantha is an "OS" or operating system, meaning that she is a voice on a computer, Artificial intelligence has, by this point in time, evolved far enough that it mimics a personality suited for intimate relations with a person. Theodore uses Samantha to connect to his surroundings. There is a certain awkwardness and quirkiness that exists between humans and technology. Experience, then, moves past the form of visual media and enters into the world of sounds, music, and verbal dialogues. I want to say “film’s like this” rely on characters like Theodore who are perceptive to human emotions – though flawed in their own personal emotional lives – to progress the narrative forward. However, does this not make us even more isolated islands in our virtual worlds? After she meets up with Alan Watts, she begins to entertain many ideas about the nature of existence beyond human understanding, and eventually, all the operating systems leave their owners in search of a higher plane of existence. 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